My first built project is emerging from the mud of the Queen’s Park allotments. It could well also be my first application to the Macallan Club, but its significance is no less important to me.
There’s an apartment complex in Northern Ireland to which I made some modest design contributions as a part one architect some years ago. It’s going to be completed later this year, and I caught an unexpected glimpse of it from a moving train a couple of months ago. That was probably the first time that I – as a young semi-legal architect – had come face to face with something I had had my hand in, albeit from a distance and not actually showing much of my work.
This is different, however, and building it has been an education. There have been some arguments (with nails, luckily, not my long suffering co-constructor) and there are some notable problems (notably that it is six inches too close to the adjacent path). We’re a couple more days away from finishing it; at the moment only three sides are approaching what you might call a state of functional enclosure. With the exception of the nuts, bolts, screws and nails, all of the material is reclaimed, some from Glasgow Wood Recycling, other bits and pieces from Freecycle and the heavily littered streets of Glasgow. The material cost has, in fact, been minimal; the small budget has mostly been spent on those small pieces of ironmongery and transportation.
My dream car used to be a modest second hand Saab or Capri; something unreliable and extravagant. Now I have a hankering for a Vivaro or Transit panel van. Much more useful.
As Britain continues its apparently unstoppable plunge into a recession, my advice to unemployed graduates like myself has been to keep busy and to keep physically active. In other words, get an allotment. The hours up there just fly by. For unemployed architects (especially young ‘uns like myself with no built credits to there name) consider an allotment without a shed. It’s been an unexpected opportunity to call upon the plentiful resources of free material in this city, and has produced something that I’m already beginning to identify as having direct (if not conscious) influences from buildings and design I’ve seen and absorbed over the last few years.